Chris Thorpe-Tracey: The America Ground Residency
Photo by Jon Pratty
Spring 2020 will see tales of Hastings’ America Ground brought to life by UK writer, composer and producer Chris Thorpe-Tracey as part of a new project by MSL Digital. From January until Easter, Chris will be Artist-in-Residence within the America Ground and he’ll be exploring the fractious town politics of the 1800s, including some of the key characters and incidents, developing a musical experience that will be delivered both digitally and in performance.
Chris intends to pull these stories from the bricks and mortar and breathe life into them in tunes and tales using material from the Hastings Museum collection, local archives and from the musical memory of the community.
Over the past 20 years Chris has toured and recorded more than 12 solo albums and collaborations. He has also always been interested in the roots of where music comes from in the UK. In 2015 he was made the inaugural National Trust Creative Fellow at The Workhouse, in Southwell, Nottinghamshire. At the National Trust-owned Workhouse, Chris embedded with staff and volunteers to create a new set of folk ballads to capture the voices of those who lived at one of the first Victorian-era workhouses. In 2013 Chris was also Writer in Residence at the Royal Pavilion & Museums in Brighton, finding new ways to share stories from across the museum sites.
For this new residency, Chris will collaborate with Hastings’ thriving social media history groups and our community of local musicians, to create a digital and physical performance enriched with imagery and text. He’ll build connections and search for stories. The product of the residency will be shared for all to enjoy, and importantly, to re-interpret.
A key feature of the residency, funded via an Arts Council England lottery grant, is that Chris will make the work shareable and copyright-free. The recorded product of workshops will be hosted on MSL’s RSA-funded Town Arts Map, an interactive platform accessible on the streets of Hastings and to wider online audiences.
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